Developing a concept briefly introduced in 'Counterrevolution and Revolt, ' Marcuse here addresses the shortcomings of Marxist aesthetic theory and explores a dialectical aesthetic in which art functions as the conscience of society. Marcuse argues that art is the only form of expression that can take up where religion and philosophy fail and contends that aesthetics offers the...(展开全部)

张异宾 一、个人信息： 张异宾(笔名张一兵)，1956年3月17日生于南京，祖籍山东茌平。1981年8月毕业于南京大学哲学系。哲学博士。现为南京大学特聘教授，哲学系博士生导师。中央马克思主义理论建设工程哲学组主要成员，国务院学位委员会学科评议组成员，国家社科基金学科评议组成员，教育部社会科学委员会哲学学部委员，教育部哲学类专业教学指导委员会副主任委员。江苏省有突出贡献的中青年学者，享受政府特殊津贴。曾入选国家教育部“全国优秀青年教师奖励计划”和“跨世纪人才工程”,并为中国马克思主义哲学史学会副会长，中国图书评论学会副会长，江苏省哲学学会会长,江苏省马克思主义研究会会长。主要研究方向：马克思、列宁、海德格尔、福柯哲学文本学研究；当代国外马克思主义哲学；当代西方激进哲学；构境理论。 二、主要科研成果： （一）主编丛书、系列教材： 当代学术棱镜译丛（南京大...(展开全部)

Marking the centenary of Walter Benjamin's immensely influential essay, "Toward the Critique of Violence," this critical edition presents readers with an altogether new, fully annotated translation of a work that is widely recognized as a classic of modern political theory. The volume includes twenty-one notes and fragments by Benjamin along with passages from all of the contem...(展开全部)

In the last forty years, the reputation of the aesthetic of reception has spread throughout continental Europe and North America. Jauss, the most prolific proponent of the aesthetic of reception, has attempted to develop categories to channel conventional literary history into a history of aesthetic experience. In these collected essays, he explores the relation of art history ...(展开全部)

A major Marxist thinker and critic in 1930s Japan, Tosaka Jun was among the world’s most incisive—yet underrecognized—theorists of capitalism, fascism, and ideology during the years before World War II. The Japanese Ideology is his masterpiece, first published in 1935, as Japan and the world plummeted into an age of reaction. Tosaka offers a ruthless philosophical critique of c...(展开全部)

A major Marxist thinker and critic in 1930s Japan, Tosaka Jun was among the world’s most incisive—yet underrecognized—theorists of capitalism, fascism, and ideology during the years before World War II. The Japanese Ideology is his masterpiece, first published in 1935, as Japan and the world plummeted into an age of reaction. Tosaka offers a ruthless philosophical critique of c...(展开全部)

Are the "culture wars" over? What is their relationship to gender struggle and the dynamics of class? Gayatari Spivak poses these questions and attempts to understand and describe a more responsible role for the postcolonial critic, tracking the figure of the "native informant" through various cultural practices - philosophy, history, literature - to suggest that it emerges as ...(展开全部)

Are the "culture wars" over? What is their relationship to gender struggle and the dynamics of class? Gayatari Spivak poses these questions and attempts to understand and describe a more responsible role for the postcolonial critic, tracking the figure of the "native informant" through various cultural practices - philosophy, history, literature - to suggest that it emerges as ...(展开全部)

These essays by the author of The Political Economy of Growth and co-author of Monopoly Capital cover the working range of a strong and original mind. They are as diverse as his well-known discussion of Marxism and psychoanalysis, and his expert handling of the politics and economics of development. The five parts of the book contain six articles on Marxism, three on economic p...(展开全部)

These essays by the author of The Political Economy of Growth and co-author of Monopoly Capital cover the working range of a strong and original mind. They are as diverse as his well-known discussion of Marxism and psychoanalysis, and his expert handling of the politics and economics of development.